Moving Waves Played by Alternative Artists

Golden Years of Dutch Pop Music

This 2 CD compilation album issued in October contains

 

CD 1

1: The shrine of god

2: Watch the ugly people

3: Why dream

4: Happy nightmare (mescaline)

5: House of the king

6: Focus

7: Hocus pocus

8: Janis

9: Sylvia

10: Love remembered

11: Tommy

12: Focus ii

13: Harem scarem

14: Early birth

15: P's march

16: Focus v

17: Eddy

18: Sneezing bull

19: Anonymous

20: Black beauty

21: Le clochard

CD 2

1: Eruption

2: Focus iii

3: Answers? questions! questions? answers!

4: Hamburger concerto

5: Focus iv

6: Mother focus

7: Glider

8: Crackers

9: Hocus pocus

Miming to House of the King 1971

O Avondrood Video

Just now and again you come across something you've never seen on YouTube. This is a video with the Focus track Avondrood (Red evening). I'm not sure what the live at Top of the Pops tag means. I don't think this was ever on any British top of the pops.

SIr Thijs van Leer Solo Album

Focus fans will be interested to know of a limited edition Thijs Van Leer solo album recently released. The three CD offering is a recording of a live gig at Trading Boundaries. The second and third discs give the concert itself with the fascinating biographical ramblings by Thijs that interweave the songs. The first CD selects songs from the concert and presents them as  amore straightforward album. The three CDs come in a very attractive book-like album with lots of photographs and info and original art work by Roger Dean. A lovely presentation full of old favourites and one or two more obscure ones, all in acoustic fashion. 

New edtion of Focus book

A new (third) edition of the book on Focus by Australian Peet Johnson arrived through my door the other day - Hocus Pocus: the strife and times of rock's Dutch masters. (See details here) Peet must know more about Focus than any man on earth and this new edition brings you right up to date with facts such as the version of Focus 3 done by Outkast and that by Guo Yue of House of the King (both in 1996). It's a bit expensive but hardcore Focus fans will go for it.

New version of Focus II

A new album, The Royal Philharmonic Orchestra Plays Prog Rock Classics includes a version of Focus II with Van Leer on flute. Worth a listen.

Excellent Tribute

Focus 5

Can't Believe My Eyes

Focus at The Scene in Swansea November 2014

My son is in university in Swansea so I thought I'd pay him a visit as Focus were playing at a place called The Scene on a Monday night, a good night for me (November 24).

My attachment to Focus goes back to my teenage years when I was born again and wanted to find a rock band that would not corrupt me! It is a little like paying homage. I had duties here in London on Monday afternoon so didn't get away as early as I hoped and with traffic and so on did not reach the venue until just after Focus had started. They were just coming to the end of House of the King when I got there. I guess they would have started with Focus 1.

The first half was all the old stuff including a brilliant Eruption, including Tommy, Sylvia and so on. The newer stuff didn't get played until the second half. It is hard to put into words what a brilliant band this is. The only low point for me was at the end of a ripping Harem Scarem where Menno Gootjes was left more or less to himself. It left me rather cold. Interestingly, because it was like something out of the seventies. Focus were never like something out of the seventies but always transcended the decade.

One treat at the concert was seeing just a few people dancing at the front to the rock numbers. The flute passages were also an immense treat.

During the interval I bought the new double helping of Swung where the band minus van Leer jam. Interesting stuff. Van Leer's wife Anneliese runs the shop. She has no English (and I no Dutch). I said Thank you very Dutch. She said "What is Dutch?"!

The main set closed with an excellent Hocus Pocus, which now includes a second extended drum solo for the amazing Pierre van der Linden. As I watched him endlessly work his way round the kit it made me wonder have I ever preached at all? Here is a man who knows his drums better than I know any text I've preached. Surely I should be immersing myself in the texts week by week. Yes, you may not be appreciated (a van der Linden drum break is not to everybody's liking) but you will be thorough.

So by the end of the concert I was pretty impressed and would have been happy to leave. There was some enthusiasm for an encore, however, and the band returned with Focus 3, a beautiful number that has grown and grown on me over the years, and its partner Answers Questions Questions Answers. The flute playing at this point was beyond beautiful and I was gone. Amazing.

If you have opportunity to go to see Focus, they are worth every penny. Sorry I have no video footage or pictures. I left my camera in the car.

P's March

Moving Waves Documentary

Some good news now bad news - the 1997 documentary on the making of the album Moving Waves was briefly available on Youtube. The bad news for monoglot English speakers was that the documentary is in Dutch. However, as it was made up of performances and interviews with Mike Vernon and Jerry Boys there was quite a bit not in Dutch. Die hard fans might even have been able to work out what was being said in Dutch as van Leer describes the writing of Hocus Pocus, perhaps, or as Akkerman describes his early career and Havermans is asked about the bass parts! Anyway it is gone for now.

PS It is on the 50 year anthology box set

Focus in the Underworld October 2013

I went to see Focus down at The Underworld in Camden October 29. This was the last show in a recent short tour. I was in two minds about going really but a Tuesday night in London and the family away - why not? I got down there early as I had not bought my ticket. I saw Thijs and Menno on the street and Bobby in the distance. Unusually I came across a busker with a flute but the paths of the two flautists didn't cross I gather. Inside I spotted Thijs's daughter Eva (now based in France where she is an artist in ceramics I see here). It was an opportunity to thank her personally for her contributions to family Christmas albums such as this one (although she was taken aback to be reminded of it). It was nice to see Thijs's grandson near the back of the stage snapping away with his phone. (The current Mrs Van Leer was as ever on the merchandise stall).
The Underworld is a dump and the two opening bands (Sonic Mass and Sondura) were very much rock bands (some nice melodies with Sondura, however) and I was beginning to feel I'd rather not be there when Focus eventually came on and suddenly I was entranced. They began with Thijs on alto flute and then a chorused vocal and soon they were into an exquisite rendition of Focus 1 with a brief burst of Anonymus and then House of the King (all from the ancient first album). Then it was the rocker All hens on Deck and the melodic Focus 7, both from the latest album - both again very good. A highlight was the Tommy from a long version of Eruption. We then had the obligatory Sylvia and La Cathedrale followed by Harem Scarem with some solos. Menno Gootjes is very competent and is now thoroughly conversant with the material and plays very subtly. Given the opportunity to do his own thing he likes to rock in a very seventies way but not one that I feel is very much the Focus sound. Interest waned a little at that point for me, having trodden this path many times. Overall still a great band to see and showing no signs of waning.

Two of my sons and a nephew were watching Arctic Monkeys in Cardiff at the same time. Wonder how they got on. Imagine AM when they're in their sixties!

Revised edition of the book now out

The revised, corrected and improved edition of the book by Peet Johnson is now available. I have actually had a small hand in things this time. This new revised edition is most highly commended. The book can be ordered here.

How to write a Focus number - 10 steps

1. Ideally, you need to be Thijs van Leer or a current band member but in theory you could be anyone.

2. Look for an attractive but subtle melody or two. Ideally, sing it with words of some sort. You can be inspired by an event or a person. Don't be afraid to half plunder the classics or, at a push, more recent music. Collaborations can come later, if necessary.

3. Play around with the melodies a bit. Try them fast and slow and in different keys.

4. Get the band together and try to get things in some sort of order. Start and end with any instrument. Be happy to receive collaborations or contributions and don't be afraid to throw in a yodel or something else that is slightly bizarre.

5. Not vital but if it is appropriate, try it out on the road perhaps. Live in it a bit.

6. Find someone to put words to it. Alternatively, start with the words. Don't worry too much about these as they will rarely be heard, if ever.

7. Attempt a recording with the whole band. Aim for around six minutes worth of music but it can be more or possibly less.

8. Possibly, abandon this recording unreleased and start again or cannibalise it for future pieces. Record it in another form on a solo project, if possible.

9. Add a van Leer introduction perhaps and think of a title, usually in English. Puns and rhymes preferred.

10. Record it again in a different arrangement with no vocals and release it on an album to critical praise (or otherwise).

Track titles that rhyme

Over the years Focus have produced at least five tracks whose title rhymes.
These are

1. Hocus Pocus

2. Harem Scarem

3. Night Flight

4. Hurkey Turkey

5. Flower Shower

Hard Vanilla

Soft Vanilla

Bennie Helder

I need a bathroom

Mother Focus

New book out

It's out at last. You can read the opening pages online at Amazon. Already my knowledge of the band has grown immensely. This is a real labour of love and the fruit of a lot of hard slog. Thanks for the mench too Peet - very kind. As so often with these books it is full of minor proofing errors and slightly expensive but it looks a fine production otherwise and is a must for anyone interested in a blog like this or a band like that. I am eagerly awaiting my copy. Not sure yet how many errors here on this blog will have to be changed or modified.

Check here for the Amazon UK listing.

A rugby team out of Focus

There are actually now at least 15 men who have been part of the official Focus line up but are no longer in the band.
There are five guitarists and three bassists who can form the forwards, while the six drummers can be the backs with PJ Proby at full back.

They are

 

Jan Akkerman – guitar (1969–1976, [1985, 1990])
Hans Cleuver – drums (1969–1970, 1999)
Martijn Dresden – bass (1969–1970)
Cyriel Havermans – bass (1970–1971)
Bert Ruiter – bass (1971–1978, 1990, 1999)

Colin Allen – drums (1973–1975)
David Kemper – drums (1975–1978)
Philip Catherine – guitar (1977–1978)
Steve Smith – drums (1978)
Eef Albers – guitar (1978)
P J Proby – vocals (1978)
Jan Dumée – guitar (2001–2006)
Ruben van Roon – drums (2001)
Bert Smaak – drums (2001–2004)
Niels van der Steenhoven – guitar, vocals (2006–2010)

Track by track 125 It takes 2 2 tango

Archive number: 125

Title: It takes 2 2 tango

Main Album: Focus 9 (New Skin)

Track number: 13

Genre: Progressive Rock Instrumental

Studio: Fieldwork Studios, Schoten, Belgium

Length: 07:57

Composer: Thijs van Leer

Musicians: Thijs van Leer – Hammond organ, piano, flute; Niels van der Steenhoven – Guitars; Bobby Jacobs – Bass; Pierre van der Linden – Drums

Producer: Bobby Jacobs and Thijs van Leer

Engineer: Han Nuijten

Label: Red Bullet

Date of recording/release: Summer 2006

Alternative version: None

Notes: This further exploration of the tango form is quite slow for the most part. The band handle the first five minutes or so like a jazz quartet but with the familiar Focus rises and falls. There are some very attractive guitar phrases here as it somehow tells a story without words. Just when you have forgotten the tango title, tango rhythms break in first at 05:07-05:40 and then again at 06:08-06:42. In both cases the piano leads, followed by organ, then drums and then flute. The old theme soon reasserts itself (05:40-06:07 and 06:43-07:57), The whole closes on a suitably dramatic and extended note.

Track by track 124 Pim

Archive number: 124

Title: Pim

Main Album: Focus 9 (New Skin)

Track number: 12

Genre: Progressive Rock Instrumental

Studio: Fieldwork Studios, Schoten, Belgium

Length: 02:57

Composer: Thijs van Leer

Musicians: Thijs van Leer – Hammond organ, piano; Niels van der Steenhoven – Guitars; Bobby Jacobs – Bass; Pierre van der Linden – Drums

Producer: Bobby Jacobs and Thijs van Leer

Engineer: Han Nuijten

Label: Red Bullet

Date of recording/release: Summer 2006

Alternative version: None

Notes: The guitar leads the band in a jaunty bit of rock with a bright and pretty sound that celebrates the birth of van Leer's grandson. He appropriately whistles (01:48-02:00) before the guitar takes over with renewed strength and the band head for the simple close.

Track by track 123 European Rap(sody)

Archive number: 123

Title: European Rap(sody)

Main Album: Focus 9 (New Skin)

Track number: 11

Genre: Progressive Rock Instrumental

Studio: Fieldwork Studios, Schoten, Belgium

Length: 10:19

Composer: Thijs van Leer, Gordon Taylor

Musicians: Thijs van Leer – Piano, voice, handclaps, synthesiser, organ, flute; Niels van der Steenhoven – Guitars; Bobby Jacobs – Bass; Pierre van der Linden – Drums

Producer: Bobby Jacobs and Thijs van Leer

Engineer: Han Nuijten

Label: Red Bullet

Date of recording/release: Summer 2006

Alternative version: None (although there is a clip of a Focus jam in Kasteel Groeneveld on Youtube where they play something similar to one of the sections)

Notes: This song is in several parts. First comes a slow, even halting part led by the guitar backed by piano and keyboard set to choral (00:00-00:42). It leads into a second slow part, backed by the organ (00:43-01:07). We then turn east for an increasingly fast, Russian style dance tune led by the flute with the guitar and backed by the rhythm section (01:08-02:10). This is further developed from 02:11 with the use of the voice and handclaps, the guitar giving balalaika-type riffs. At 02:37 a shout or laugh takes us back to the flute-led tune, this being brought to an end by a couple of piano arpeggios (02:38-02:59). The slow and introspective guitar then leads off again followed by the cymbals, organ, bass and then piano too (03:00-03:34). This segues into the next part, still slow, led first by piano then with guitar and backing from the rhythm section and organ (03:35-05:20).

A crash of cymbals abruptly announces a new and jaunty fast section, which features a first litany of about 12 titles of previous Focus tracks from van Leer (05:21-06:27). The list with the few additional words is as follows:

Spoke the Lord Creator, Can't believe my eyes, Out of Vesuvius, Red sky at night, Round goes the gossip, (of) Eruption, Well done, Dayglow (to break), (Creating) Moving Waves (for how long?), Answers, questions ..., (of) Love remembered, … Questions, Answers, Ship of memories, ??? (06:28-06:13)

This is followed by an instrumental section in the same vein (06:14-06:28)

At 06:29 we come into a new section that begins slowly then becomes jaunty again but this time we are looking west and the style is very French, the keyboards in a very accordion-like mode. At 07:33 this comes to an end with the same slow piano, cymbals and bass conclusion as before, ending at 07:47.

A crash of cymbals announces the second part of the litany. This time we have around 35 further tracks

Carnival Fugue, (on an) Endless Road, (it's an) Early birth, (like a fugue of the) Sneezing Bull, Hocus Pocus (and) Birth (and Birth, and Birth), No Hang ups, (with the) Russian Roulette, (surely) Harem Scarem (dreams, dream), (and a) Cathedrale de Strasbourg, Anonymus (it seems), Maximum, (or) Medium, (or) One for the Road (but) Someone's Crying … what? (in the) House of the King, (it's a) Happy nightmare, Altogether … Oh that!, (Let's) Focus (on) Who's calling?, (Is it) Beethoven's Revenge, (or may be) Father Bach, (is it) Tommy, Benny, Eddy (or) Judy or Sylvia, My Sweetheart (My Sweetheart), It's an Indian Summer, (I'm the) Glider, The Tango, (with) Tokyo Rose, Night flight (with a) Black Beauty, (such a) Tropic Bird, (With movement, with movement, with movement; that's the Lord, that's the Lord, that's the Lord) (07:48-09:15)

We then play out with the band led by van Leer's rocking flute (09:16-10:10). The closing nine seconds are left to the solo flute.

Songs in different languages

Focus are not known for their vocals but the songs they have sung feature several languages.
1. English (Why dream, Happy nightmare, Black Beauty, etc, etc)
2. Dutch (O Avondrood, Hamburger Concerto, Flower Shower)
3. Latin (Round goes the gossip, Hoeratio)
4. French (La Cathedrale de Strasbourg)
5. Spanish (Santa Teresa)

Track by track 122 Ode to Venus

Archive number: 122

Title: Ode to Venus

Main Album: Focus 9 (New Skin)

Track number: 10

Genre: Jazz instrumental

Studio: Fieldwork Studios, Schoten, Belgium

Length: 04:25

Composer: Thijs van Leer

Musicians: Thijs van Leer – Piano, Hammond organ; Niels van der Steenhoven – Guitars; Bobby Jacobs – Bass; Pierre van der Linden – Drums

Producer: Bobby Jacobs and Thijs van Leer

Engineer: Han Nuijten

Label: Red Bullet

Date of recording/release: Summer 2006

Alternative version: None

Notes: This haunting slow jazz instrumental begins with a bass slide and the briefest of caesuras before being led by the electric guitar backed mainly by brushed drums, bass and piano but also featuring the Hammond organ at certain points, which outlasts the final piano chord by some seconds at the end.

Focus X Review

So amazingly Focus reach double figures with their tenth album. I have held back from writing about it until now as I know by experience that initial impressions can be wrong. Certainly the presence of familiar titles was offputting – a nod backwards in the opening title Father Bacchus (good joke though), yet another Focus track, Le Tango in its umpteenth incarnation, Message Maqique was on a solo album (that also featured Talk of the Clown, there called Pierrot). Van Leer insiders also know that the curiously titled Amok in Kindergarten was directly inspired by the Dunblane incident way back in 1996. Even the title All hens on deck made me nervous as I feared a re-hash of Hurkey Turkey. It turns out to be one of the most attractive numbers on the album.

In fact this is as good a post-Akkerman album as Focus have come up with so far. The only real problem is an over-dependence on Van Leer for the writing and performance, a Van Leer almost shorn of one of his attributes, his voice (his keyboard and flute work are better than ever). Van Der Linden's drumming is of a high order throughout but good drumming though important is a relatively small component in a rock album's make-up.

The opening track is a fine effort from the new guitarist Menno Gootjes, spoiled only by Van Leer announcing the band's name as if in a live setting. The track Focus 10 is fine, though since Focus 5 I feel that particular strand has not been working so well somehow. The third track is currently my favourite. Quite what inspired Victoria I don't know but the result is quintessential Focus. Superb! Amok in Kindergarten is contemplative and an adequate track for inclusion. After the up tempo All hens full of Van Leer scat we have an interesting version of Le Tango that justifies its inclusion by being re-titled Birds come fly over and featuring the veteran Brazilian musician Ivan Lins singing lyrics by Van Leer's ex-wife Roselie Peters (she also provides the spoken lyrics for Crossroads). The decision to hand over the mike to Lins was wise. Presumably there was a similar plan with Van Leer's daughter Berenice for the last track (she is credited but I do not hear her unless she is doing backing vocals). Hoeratio is better known as Horace in the English speaking world. Someone has spotted his reference to the flute in his ars poetica. Van Leer reads this in Latin over a slow Bobby Jacobs written piece that is again only adequate as far as I can see. May be it will grow on me. We then have the two tracks lifted from the 1986 solo album Renaissance. The use of acoustic guitar on the first of these tracks and on Le Tango is refreshing. So there it is a rock album with a lot of jazz or Latin influences but no obviously classical ones. Great guitar work from Gootjes and a solid rhythm section, Van Leer at the height of his powers for the most part.

The CD comes as a little book with artwork from Roger Dean, which adds to the overall enjoyment.