Focus 12

A new Focus album is officially released today. Like other recent albums, its cover is graced with a pleasing piece of Roger Dean artwork. The opening two tracks - the tongue in cheek titled Fjord Focus and Focus 13 (yes 13, not 12) have been out for a while. These are the first two of a total of ten tracks, all written by our lead man Thijs van Leer, except for tracks 4-6 by the other members of the band. In reverse order - Born to be you is by Menno Gootjes, All Aboard is by Udo Pannekeet and Meta Indefinata is credited to drummer Pierre van der Linden, though it is not a drum track. As with any Focus album, it takes a while to get into what is going on but initial impressions are positive. All the tracks, as one might expect, are instrumental, although to have no vocals or voices at all is unusual if not unique. Acoustic guitar and flute are heard and plenty of piano and even may be some synthesisers appear. Uniquely, Bowie is a solo piano piece from van Leer. Born to be you is piano heavy too with no drums or bass as is the opening of Bela. One of the tracks was apparently completely improvised in the studio (Meta Indefinata).

SIr Thijs van Leer Solo Album

Focus fans will be interested to know of a limited edition Thijs Van Leer solo album recently released. The three CD offering is a recording of a live gig at Trading Boundaries. The second and third discs give the concert itself with the fascinating biographical ramblings by Thijs that interweave the songs. The first CD selects songs from the concert and presents them as  amore straightforward album. The three CDs come in a very attractive book-like album with lots of photographs and info and original art work by Roger Dean. A lovely presentation full of old favourites and one or two more obscure ones, all in acoustic fashion. 

Focus X Review

So amazingly Focus reach double figures with their tenth album. I have held back from writing about it until now as I know by experience that initial impressions can be wrong. Certainly the presence of familiar titles was offputting – a nod backwards in the opening title Father Bacchus (good joke though), yet another Focus track, Le Tango in its umpteenth incarnation, Message Maqique was on a solo album (that also featured Talk of the Clown, there called Pierrot). Van Leer insiders also know that the curiously titled Amok in Kindergarten was directly inspired by the Dunblane incident way back in 1996. Even the title All hens on deck made me nervous as I feared a re-hash of Hurkey Turkey. It turns out to be one of the most attractive numbers on the album.

In fact this is as good a post-Akkerman album as Focus have come up with so far. The only real problem is an over-dependence on Van Leer for the writing and performance, a Van Leer almost shorn of one of his attributes, his voice (his keyboard and flute work are better than ever). Van Der Linden's drumming is of a high order throughout but good drumming though important is a relatively small component in a rock album's make-up.

The opening track is a fine effort from the new guitarist Menno Gootjes, spoiled only by Van Leer announcing the band's name as if in a live setting. The track Focus 10 is fine, though since Focus 5 I feel that particular strand has not been working so well somehow. The third track is currently my favourite. Quite what inspired Victoria I don't know but the result is quintessential Focus. Superb! Amok in Kindergarten is contemplative and an adequate track for inclusion. After the up tempo All hens full of Van Leer scat we have an interesting version of Le Tango that justifies its inclusion by being re-titled Birds come fly over and featuring the veteran Brazilian musician Ivan Lins singing lyrics by Van Leer's ex-wife Roselie Peters (she also provides the spoken lyrics for Crossroads). The decision to hand over the mike to Lins was wise. Presumably there was a similar plan with Van Leer's daughter Berenice for the last track (she is credited but I do not hear her unless she is doing backing vocals). Hoeratio is better known as Horace in the English speaking world. Someone has spotted his reference to the flute in his ars poetica. Van Leer reads this in Latin over a slow Bobby Jacobs written piece that is again only adequate as far as I can see. May be it will grow on me. We then have the two tracks lifted from the 1986 solo album Renaissance. The use of acoustic guitar on the first of these tracks and on Le Tango is refreshing. So there it is a rock album with a lot of jazz or Latin influences but no obviously classical ones. Great guitar work from Gootjes and a solid rhythm section, Van Leer at the height of his powers for the most part.

The CD comes as a little book with artwork from Roger Dean, which adds to the overall enjoyment.

Focus X

You will all know that Focus have a new album, Focus X. I am slowly digesting this mostly brand new material and will no doubt have something to say here in the near future. I am also hoping to see them on the last date of their current short tour of the UK.