Looking at the music of Dutch rock band Focus, started in the late sixties by Thijs van Leer (b /31/03/48) with Jan Akkerman (b 24/12/46). Van Leer still performs and records under the name today (official site here). Akkerman's site here.

.

.
Showing posts with label Eruption. Show all posts
Showing posts with label Eruption. Show all posts

20190926

Eruption at Setlist fm

Eruption by Focus
Facts

Total Plays - 117 times by 1 Artist
From the release - Focus II (Album)
First Played in Concert - October 29, 1971 by Focus at De Doelen, Rotterdam, Netherlands
Most Recently Played - September 23, 2019 by Focus at CLUB CITTA', Kawasaki, Japan

Detailed Statistics by Artist
Eruption stats
Focus

See here

20090606

Focus Live 03

As we come into 1972 and the beginnings of Focus's international fame there are two more recordings about from Holland plus, significantly, one, possibly two, others, recorded in England.
Of the Dutch recordings, one is from Friday March 31 at the Spinoza Lyceum in Amsterdam. This features what would be an oft repeated running order familiar from the later Rainbow album - Focus 3/AQQA (both then unreleased) with Focus 2 (now including Van Leer's meandering organ intro). These are followed by the long track Anonymous 2 with its bass and drum breaks.
The other (undated) recording is of a performance in a student centre in Wageningen. In addition to the four initial tracks played in Amsterdam there is a recording of Focus 1 before Anonymous 2 and a long version of Eruption plus versions of the St Anthony Chorale (where Van Leer begins by singing in operatic style) and House of the King. The St Anthony element seems to be looking back to the Ramses Shaffy era as much as looking forward to Hamburger Concerto. The version of Eruption includes some quite eclectic elements, including a series of so called 'Bridges' where, after a fairly long ensemble piece including elements from his solo piece Fresh Air, Akkerman is left to solo on electric guitar. Some of this is quite remarkable stuff. He appears to draw on a number of pieces that can be found on his then current and sometimes later albums. After one storming section that anticipates his Prelude:Friends Always there is a brief rendition of Andante Sostenuto. We come back to more familiar Eruption territory via Van Leer's organ in quite Bartokian mode before Van Der Linden takes his turn with a six minute drum solo. This is followed by more Bartok from the band to close.
Focus also did the Pinkpop Festival again at the end of May 1972 and the Great Western Express Festival in Bardney, Lincolnshire (Sunday May 28). The very first Focus gig in England was in 1972, and may have been to 60 people somewhere in Huddersfield. There were also free gigs at the famous Marquee Club in London (Wednesday March 8, Thursday June 1, Friday August 11). The first of the recordings from England is Saturday August 12 1972 at the famous Reading Festival that was so important a break for the band in Britain. Again we have the four track sequence mentioned already. Then comes this time a rather short extract from Eruption and this time the Hocus Pocus/Sylvia/Hocus Pocus (reprise) sequence is preserved.
Recordings also exist of The Melody Maker Poll Winners Concert at the Oval Cricket Ground on Saturday September 30, 1972, when Akkerman and Van Der Linden jammed with the bassist Jack Bruce doing Powerhouse Sod. Focus also opened the show and (possibly) Bert Ruiter and Pierre Van Der Linden backed Rory Gallagher at one point.
Other gigs in 1972 include - in Holland (January 1 Wageningen, June 30 a festival in Rotterdam, August 6 Terborg) and their first tour of England and Wales - a series of around 30 gigs between October 13 and November 18 (as far west as Swansea, as far north as Newcastle, as far easy as Ipswich adn a sfar south as Southampton and Plymouth).
The other recording that possibly comes from 1972 is a BBC recording introduced by whispering Bob Harris, an early champion of the group. We will consider this recording separately.

20090406

Track by track 88 Eruption (Live FLIA)

Archive number: 88
Title: Eruption (Live)
Main Album: Focus Live In America
Track number: 4
Genre: Progressive Rock Instrumental
Venue: Patriots Theater, 1 Memorial Drive, Trenton, New Jersey, USA
Length: 16' 27”
Composer: Thijs van Leer
Musicians: Thijs van Leer – Hammond organ, Flute, Whistling, Voice; Jan Dumee – Gibson Marauder Guitar; Bobby Jacobs - Bass; Bert Smaak - Drums
Producer: Gavin Bott/Bob Carruthers
Engineer: Mike Potter (Orion Sound) Mix (Total audio)
Label: Classical Rock Legends Limited
Date of recording/release: October 2002 (part of a two day Uriah Heep led classic rock legend festival that also featured Nektar, Mostly Autumn and Asia). Released on DVD and CD (edited) in 2003.
Alternative version: The full original is found on the album Moving Waves
Notes: The announcment for this track is on the previous track. Van Leer says there “Now we'd like to take you to the second side, B side, of our album - actually the first album to break here in the States - that was Moving Waves. And it was a title called Eruption.” Here we start with 'violined' guitar the fare is quite standard until around 04:45 when van Leer comes in first with the flute then some lovely whistling. This leads into a creditable Tommy (from 05:50). Then, after a little more whistling, we have more of the familiar live stuff, allowing Dumee to shine. There is some brief scat from van Leer, mainly at 12:40-13:17, but recurring over the next minute or so after that and including something of a variation on the theme. There is also a jazzy flute-led break at 13:55-14:31 and an organ-led one at 14:32-15:34 which again features van Leer's scat voice at certain points. There is then an abrupt return to the slow original theme (15:35-15:55) to round off. Applause and speech follow from 15:56-16:27. Van Leer says “Thank you so much ... Thanks ... We'd like to do a song that was once dedicated to a girl named Sylvia.” This is an edit, however, as it is clear from the DVD that before Sylvia another two tracks intervened (Focus 3 – at the end of the CD) and Brother (omitted from the CD).

20081203

Longest Focus Tracks


The 10 longest Focus tracks are

1 Anonymus 2 (26:19)
2 Eruption (22:57)
3 Hamburger Concerto (20:15)
4 Beethoven's Revenge extended (18:42, short version 10:49)
5 Who's calling (16:14, short version 07:33)
6 Maximum Live (13:58, studio version 08:40)
7 Answers? Questions! Questions? Answers! (13:50, live version 11:28)
8 Virtuous Woman (10:57)
9 Beethoven's Revenge (10:49 - the extended version is 18:42)
10 European (Rap)sody (10:25)

20081202

Eponymous Titles


Some 15 Focus tracks refer to individuals real or imaginary.
Orfeus and Euridice are, of course, from Greek mythology as is Orion. Venus is from Roman mythology (as in Ode to Venus on Focus 9).
Nobody seems to know who Bennie Helder is. No doubt, like Elspeth of Nottingham, he is imagined. (Turns oout it was the name Thijs used fr himself as a boy).
Le Clochard (meaning tramp in French) could be included here and may be Anonymus.
Sylvia, of course, is Sylvia Alberts; Tommy, Tom Barlage; Pim, Thijs's grandson (not Pim Jacobs as I had guessed); Eddy, Thijs's father; Janis, Janis Joplin.
Tokyo Rose was the composite name given to a number of Japanese broadcasters of propaganda in World War II.
Father Bach refers to the composer J S Bach.
One should also mention Judy, as in Ole Judy on the 1985 album.

As of 2024 we can add Bela (probably Bela Bartok) and (David) Bowie plus Nura and Gaia.

20080131

Track by track 28 Eruption (Live)

Archive number: 28
Title: Eruption (Live)
Main Album: Focus at the Rainbow
Track number: 4
Genre: Live Progressive Rock Instrumental
Venue: Rainbow Theatre, Finsbury Park, 232 Seven Sisters Road, N4 3NX (recorded using Pye Studios Mobile Unit and edited from the two performances)
Length: 08' 28”
Composer: Thijs van Leer, Tom Barlage
Musicians: Jan Akkerman – Electric guitar (Gibson Les Paul Custom); Thijs van Leer – Hammond organ, Voice; Bert Ruiter - Bass; Pierre van der Linden – Drums
Producer: Mike Vernon
Engineer: Phil Dunne
Label: LP – Polydor, Sire CD – EMI-Bovema, IRS, Red Bullet, JVC Victor Date of recording/release: May 4, 5 1973/October 1973 (May 4 concert televised UK July 1973) CD 1988, 1993, 2001, 2002, 2004, 2006
Alternative version: The original is on Moving Waves
Notes: Van Leer continues his announcement about the set list with 'We'd like to do now a bit of a number called Eruption' which is greeted with applause (00:00-00:13). The piece begins with the slow and stately Orfeus on organ, 'violined' guitar and bass (00:14-01:52). The organ plays alone at 01:33-01:40 then with the guitar at 01:41-01:52 as tension builds. The whole band then burst in with the allegro Answer (00:53-02:57). Next it is the contrasting Orfeus again (02:58-03:50) with the guitar quite prominent. We then have a brief snatch of Pupilla, featuring van Leer's voice (03:51-04:19) and the Answer (04:20-04:38) before the main Pupilla movement, 04:39-05:49. The way is now open for Akkerman and a magnificent guitar-led rendition of Tommy (05:50-07:44). Having been lifted high, a final segment of Pupilla gently brings us back to earth (07:45-08:25). Applause follows.

20071217

Track by track 15d Eruption (Part 4 - Answer, Orfeus, Euridice)

Archive number: 15d
Title: Eruption (Part 4 - Answer, Orfeus, Euridice)
Main Album: Moving Waves (Focus 2 in Holland)
Track number: 6d
Genre: Progressive Rock (Symphonic)
Studio: Sound Techniques Studio, 46a Old Church Street, Chelsea, London SW3
Length: 2' 57" (22' 57" the whole)
Composer: Thijs van Leer, (Tom Barlage, Jan Akkerman), Eelko Nobel, (Pierre van der Linden)
Musicians: Jan Akkerman – Electric guitars (Gibson Les Paul Customs), Bass; Thijs van Leer – Hammond organ, Piano, Voice; Cyriel Havermans - Bass; Pierre van der Linden - Drums
Producer: Mike Vernon
Engineer: Jerry Boys
Label: LP - Imperial, Blue Horizon CD – EMI Bovema, IRS, Red Bullet
Date of recording/release: April, May 1971/October 1971. CD - 1988, 1993, 2001
Alternative version: The original Eelke Nobel contribution can be heard briefly in the background on the Ramses Shaffy album Sunset Sunkiss.
Notes: Eruption is a brilliant composite piece that pulls together various musical elements. Album notes refer to as many as 15 different parts though the nature of the music means that there are overlaps and the debatable nature of deciding just where one part ends and another begins is reflected in the varied timings given. We present here our own attempt to convey what is included.
20:01-22:57
The final section appears to be edited down with overdubs possibly from the previous Answer, Orfeus and Euridice.
20:01-20:33 Answer
First we have the slow and fast parts of Answer
20:34-21:25 Orfeus
Then the 'violined' guitar and organ with heavy drums of Orfeus.
21:26-22:57 Euridice
Finally we have the piano and guitar then flute and piano with organ and bass of Euridice. At 22:34 heavy drums come in and their fading erupting sound ends the piece.
Note on Orpheus and Eurydice (from Wikipedia)
Orpheus, a figure from Greek mythology, was king of the Thracian tribe Cicones. Pindar calls him "father of songs". His name is not in Homer or Hesiod but he was known by the time of Ibycus (c 530 BC). He was believed to be one of the chief poets and musicians of antiquity and the inventor or perfector of the lyre. With his music and singing, he could charm wild beasts, coax trees and rocks to dance and even divert the course of rivers. As one of the pioneers of civilisation, he is said to have taught humanity the arts of medicine, writing and agriculture. He was also an augur and seer; practiced magical arts, especially astrology; founded or rendered accessible many important cults, such as those of Apollo and the Thracian god Dionysus; instituted mystic rites public and private; prescribed initiatory and purificatory rituals. In addition, Pindar describes him as harpist and companion to Jason and the Argonauts.
The most famous story in which he figures involves his wife Eurydice (Agriope). While fleeing from Aristaeus, Eurydice ran into a nest of snakes which bit her fatally on her legs. Distraught, Orpheus played such sad songs and sang so mournfully that all the nymphs and gods wept. On their advice, Orpheus travelled to the underworld and by his music softened the hearts of Hades and Persephone (the only one who ever did), so that they agreed to let Eurydice return with him to earth on condition he walk in front of her and not look back until they had reached the upper world. In his anxiety he forgot and turned to look. She vanished a second time, now forever. The story in this form belongs to Virgil's time. He first introduces the name Aristaeus. Other ancient writers speak of the visit to the underworld but the story may actually be a late addition to the Orpheus myths.
Classical compositions featuring the story include those by Monteverdi, Telemann, Gluck, Haydn, Liszt, Offenbach, Stravinsky, etc.

Track by track 15c Eruption (Part 3 - Euridice, Dayglow, Endless Road)

Archive number: 15c
Title: Eruption (Part 3 - Euridice, Dayglow, Endless Road)
Main Album: Moving Waves (Focus 2 in Holland)
Track number: 6c
Genre: Progressive Rock (Symphonic) Studio: Sound Techniques Studio, 46a Old Church Street, Chelsea, London SW3
Length: 5' 25" (22' 57" the whole)
Composer: Thijs van Leer, (Tom Barlage, Jan Akkerman), Eelko Nobel, Pierre van der Linden
Musicians: Jan Akkerman – Electric guitars (Gibson Les Paul Customs), Bass; Thijs van Leer – Hammond organ, Piano, Voice, Flute, Mellotron; Cyriel Havermans - Bass; Pierre van der Linden - Drums
Producer: Mike Vernon
Engineer: Jerry Boys
Label: LP - Imperial, Blue Horizon CD – EMI Bovema, IRS, Red Bullet
Date of recording/release: April, May 1971/October 1971. CD - 1988, 1993, 2001
Alternative version: The original Eelko Nobel contribution can be heard briefly in the background on the Ramses Shaffy album Sunset Sunkiss.
Notes: Eruption is a brilliant composite piece that pulls together various musical elements. Album notes refer to as many as 15 different parts though the nature of the music means that there are overlaps and the debatable nature of deciding just where one part ends and another begins is reflected in the varied timings given. We present here our own attempt to convey what is included.
14:35-20:00
There is a definite caesura or pause at 14:35 and then we enter on the third and penultimate section.
14:36-16:16 Euridice
First we have Euridice by Eelko Nobel (van Leer's fellow singer when he was working with Ramses Shaffy). This begins with beautiful piano and guitar, then the organ comes in. The flute takes up the lead at 15:14 with bass. From 15:53 to 16:16 it is the heavily reverbed solo flute that rounds off the piece.
16:17-17:53 Dayglow
The next part begins with a monk-like voice and organ to be succeeded (16:47-17:19) by organ and 'violined' guitar. At 17:18 a mellotron comes in featuring voices and a horn-like sound. At 17:52 a transition is signalled with bass, cymbals and the horn-like mellotron.
18:24-20:00 Endless Road
This transitional part leads into van der Linden's drumbreak.

Track by track 15b Eruption (Part 2 - End of Orfeus, Answer, Pupilla, Answer, Tommy, Pupilla, Answer, The Bridge)

Archive number: 15b
Title: Eruption (Part 2 - End of Orfeus, Answer, Pupilla, Answer, Tommy, Pupilla, Answer, The Bridge)
Main Album: Moving Waves (Focus 2 in Holland). Tommy was also a single in 1972.
Track number: 6
Genre: Progressive Rock (Symphonic)
Studio: Sound Techniques Studio, 46a Old Church Street, Chelsea, London SW3
Length: This part 10' 44" (22' 57" the whole)
Composer: Thijs van Leer, Tom Barlage, Jan Akkerman, (Eelke Nobel, Pierre van der Linden)
Musicians: Jan Akkerman – Electric guitars (Gibson Les Paul Customs), Bass; Thijs van Leer – Hammond organ, Piano, Mellotron,Voice; Cyriel Havermans - Bass, Voice; Pierre van der Linden - Drums
Producer: Mike Vernon
Engineer: Jerry Boys
Label: LP - Imperial, Blue Horizon CD – EMI Bovema, IRS, Red Bullet
Date of recording/release: April, May 1971/October 1971. CD - 1988, 1993, 2001
Notes: Eruption is a brilliant composite piece that pulls together various musical elements. Album notes refer to as many as 15 different parts though the nature of the music means that there are overlaps and the debatable nature of deciding just where one part ends and another begins is reflected in the varied timings given. We have divided it into four parts in our own attempt to convey what is included. Next 03:50-14:34
03:50-04:15
At 03:50 slow solo organ comes in followed by 'violined' guitar as the opening theme is repeated to close the Orfeus element.
04:16-05:07 Answer
And so back to the fast guitar-led answer, which this time features drums and is brought to a conclusion by a short drum break, 04:38-05:07.
05:08-06:10 Pupilla
The next section is Pupilla. This is a band effort. It is quite slow and features ethereal background voices and mellotron. From 5:42 the guitar comes in and dominates.
06:11-07:58 Tommy
From here Akkerman features more, beginning with the wonderful Tommy – a soaring guitar with the band backing - still played by Akkerman today. The Who's rock opera Tommy made the name fashionable and The Who had performed much of it in Amsterdam in 1969vbut Tommy himself is the flautist and saxophonist Tom Barlage, who often played with Akkerman's previous band Brainbox. Barlage's own band Solution recorded a track called Divergence where one of the themes, played on saxophone, is this same tune.
07:59-08:30 Pupilla
After Tommy we return to the ethereal voices backed by the band for a short reprise of Pupilla.
08:31-09:17 Answer
We are then back into Answer with an ascending guitar-led band then strong chords. From 08:52 we have the Answer riff then a rising and falling scale (09:05-09:17) when we enter into the next section. The section 09:05-09:17 is discussed by a musicologist here in relation to a similar riff by the band Camel.
09:18-14:34 The Bridge
This begins with a heavy rock guitar-led section (09:18-11:35) concluded (11:36-12:01) with the Answer riff and rising scales. This Akkerman section is matched by a van Leer one, a heavy rock organ-led part (12:02-13:44) concluding again (13:45-14:10) with the Answer riff and rising scales. The final part of this section is the Break (14:11-14:34) where it is scorching solo guitar after the three introductory double beats from the rhythm section.

Track by track 15a Eruption (Part 1 - Orfeus, Answer, Orfeus)

Archive number: 15a
Title: Eruption (Part 1 - Orfeus, Answer, Orfeus)
Main Album: Moving Waves (Focus 2 in Holland)
Track number: 6a
Genre: Progressive Rock (Symphonic)
Studio: Sound Techniques Studio, 46a Old Church Street, Chelsea, London SW3
Length: This part 3' 50" (22' 57" the whole)
Composer: Thijs van Leer (Tom Barlage, Jan Akkerman, Eelke Nobel, Pierre van der Linden)
Musicians: Jan Akkerman – Electric guitars (Gibson Les Paul Customs), Bass; Thijs van Leer – Hammond organ, Piano, Voice; Cyriel Havermans - Bass; Pierre van der Linden - Drums
Producer: Mike Vernon
Engineer: Jerry Boys
Label: LP - Imperial, Blue Horizon CD – EMI Bovema, IRS, Red Bullet
Date of recording/release: April, May 1971/October 1971. CD - 1988, 1993, 2001
Notes: Eruption is a brilliant composite piece that pulls together various musical elements. Album notes refer to as many as 15 different parts though the nature of the music means that there are overlaps and the debatable nature of deciding just where one part ends and another begins is reflected in the varied timings given. We have divided it into four parts in our own attempt to convey what is included. First, 00:00-03:50
First we have the van Leer composed parts (Orfeus, Answer, Orfeus part 1) drawn originally from works by Bartok and perhaps others.
00:00-01:20 Orfeus
We begin slowly with bass, organ and 'violined' guitar.
01:21-02:55 Answer
Organ and guitar take us to a suspended chord, immediately followed by a deliberate solo organ phrase repeated by the guitar (01:21-01:42). Then at 01:43 a fast part is played by the whole band leading into rising scales.
02:56-03:50 (goes on to 04:15)
Orfeus
We then go back to the slower part repeated on 'violined' guitar with heavy 'erupting' drums in the background.
This is a convenient place to make the first break (although Orfeus appears to go until 04:15).